Arrival is thought-provoking, to say the least.
Perhaps expectations were a bit high, but I found the plot to be rather ho-hum, if not above-average, with several of the dialogue choices being very basic; the world potentially going to war felt rather expedient/convenient for the sake of the narrative. However, the direction of the film, particularly combined with the score (big shout out to Jóhann Jóhannsson), created a solidly other-worldly feel. That the film was also shot to look like a drab, rainy day was an intriguing choice.
By far the best part of the narrative/experience was the ending, which took the film from alien-first encounter to a deep philosophical thought piece (with a brilliant title). It re-presents the film in a whole new light, transcending it to top-notch storytelling (albeit mildly gimmicky), even if the story wasn't as great as the storytelling itself.
Similarly, I absolutely love that Arrival presents the idea of language being the forethought of perception and reality in a dynamic way. Having studied several languages, I've long been in agreement with this sentiment - it's fascinating to see this idea played out in the way it was done in Arrival.
As for acting, Amy Adams carries the movie well. This is easily her best alien invasion film. Jeremy Renner is his typical Jeremy Renner self, which is whatever (he's a less angry, more smug Marky Mark?). Forest Whitaker is fine in his supporting role, which is maybe more of an extended cameo. The rest of the acting is forgettable. On the acting and character note, the relationship between Adams and Renner comes out of nowhere, only serving the purpose of the twist.
All in all, Arrival gets a solid RECOMMENDATION. It's a very good, arguably great movie. From this, I am very curious to see Denis Villeneuve's upcoming take on the Blade Runner sequel, particularly from the score perspective.
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