Thor: Ragnarok is a fine, if not very fine, movie, which I mean in a good way (and not just for the talent involved).
Ragnarok seemed very much like director Taita Waititi's Batman Returns, in that he very much gets to tell a story he would normally tell, but with so many toys and characters and things to play with in the Marvel Universe.
As Marvel's third movie in 2017, Ragnarok struck me as the better versions of GOTG2 (space-fairing adventure) and Spider-man: Homecoming (comedic action), despite not being able to learn any of the lessons from either release due to production schedules. In fact, I'd go so far as to say that Ragnarok shares many of the same plots and beats as GOTG2, but is what I'd argue to be the clearer superior movie.
However, I'm a bit mixed on the beginning, which was a little wonky and out-of-character for Thor, but "enough" humor (as not every bit hit) and certainly the action helped.
I LOVED so many little details (the dragon's eye roll) in Ragnarok. Taika's very good with details and building worlds. There's lots of intelligence with his movies, both in details and the script.
Acting-wise, I loved so many newcomers: Valyrie (Tessa Thompson) and Hela (Cate Blanchet) were both awesome, kick-ass and sexy (while not being objectified); Jeff Goldblum (Jeff Goldblum) was lots of fun; and Taika Waititi was a scene-stealer in his role. For returning members, Loki (Tom Hiddleston) was pretty good, though a more mature (particularly emotionally) version, to an extent (though his plot was semi-moronic, unless everything was part of Loki's journey because it's a path he was already on...). Thor (Chris Hemsworth), Hulk (Mark Ruffalo) and Odin (Anthony Hopkins) seemed rather different from their normal selves, which isn't necessarily bad, just different (e.g. Batman Returns). Hopkins gets some big bonus points, as I loved his bit as Loki-Odin - I won't say anything more.
Regarding story, though, there was something ultimately kinda flat about the movie for me, with the stakes never really feeling that high or low. Thankfully, however, Ragnarok lacked scenes that undercut the emotion and drama like in Spider-man: Homecoming (so maybe it did learn something). It also lacked the general amateur storytelling skills in GOTG2. Disappointingly for me, and your mileage may vary, it never got quite as high as I think it could have (it did have a ton of the right beats, though).
Having now watched three of Waititi's movies (Ragnarok, Hunt for the Wilderpeople and What We Do in the Shadows), Taika may be a better version of a modern Terry Gilliam, in that he's able to be so unique with his voice and have knowledge of and intelligence for utilizing different mediums and methods. His films are art.
That said, I'd love to see him develop and direct more TV pilots, as those three movies of his I've seen (Thor, Wilderpeople and Shadows) and indicative - Taika leaves me wanting more at the end, in both good ways and bad.
All said and done, Thor Ragnarok gets a strong RECOMMENDATION from me as a solid movie. It's a world I'd like to return to, as the comedy, visuals and music (and shoutout to the score by Mark Mothersbaugh) gel together in a fun way, which is exactly what Taika set out to do.
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