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Tuesday, January 17, 2017
Under the Shadow movie review
Quick review:
A middle-eastern supernatural horror movie set in the 1980s and in the same vein as The Babadook? Having greatly enjoyed The Babadook, color me intrigued.
When a friend first referred me to Under the Shadow, I was instantly captivated by the premise, even going so far as watching it the same day (thanks, Netflix). There were many intriguing elements in the film, despite coming up a bit short by the end. However, on the whole, I enjoyed the film, despite leaving the experience with more questions than answers, and would RECOMMEND it to someone who's interesting in the subject matter. At the very least, there's some great insight into the Iranian culture at the time.
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Warning: More in-depth SPOILER-filled thoughts below
First things first, I greatly enjoyed The Babadook. It was different enough as a horror film to merit intrigue (e.g. the story direction changing halfway through), encapsulating a terror-ific overall experience, despite an arguably good or bad ending. Under the Shadow has a fairly similar premise of a mother trying to take care of her problematic child, but there are some key differences:
1. The father is still in play, even though he's transferred to another city
2. The story is much more linear, per se (follows one character)
3. The story tries to play with reality, to mixed results
To continue with the listing format, here are two things Under the Shadow does well:
1. Shideh (Nargas Rashidi) - She's a compelling character, with an intriguing backstory: she wants to assert her independence, but is stuck in a culture that limits her freedoms, not to mention leaving open the question of to what extent she's pursuing her own goals or those of her mother.
2. The cinematography - Shadow is a gorgeous movie. It's crisp and vibrant, yet still colored in a way that works for both the Iranian, 1980s and horror settings.
3. The depiction of war-torn Tehran - As someone who's has limited exposure to that experience and perspective, it was great to see it told on the screen, even in a fantastical way. Despite living among the horrors of war, it was still a fairly human story, at least until the supernatural elements kicked in.
Here's one thing I'm neutral on:
1. The pacing - Shadow is on the slower side, but building up nicely towards the end. I would have enjoyed a bit more supernatural teasing earlier, but the film was focusing more on character, relationships and other elements
Here are a few things I thought could have been better:
1. The playing with reality - The film could have delved much more with the idea of whether what Shideh was experiencing was real or not. As the film progresses, it clearly delves more into the supernatural, which is fine, but the earlier portions feel like a red herring and/or missed opportunity for the viewer (or to me, at least), even if it's meant for the character to disbelieve; yet her belief never really played a factor in the film.
2. Dangling character direction - As great as the setup for Shideh is, it's never really paid off. She's still stuck in the same directionless situation at the end as during the beginning, she doesn't become a better parent (per se) or pick a new career. As such...
3. It's anti-climactic - Even though there's a fairly elaborate ending sequence, it feels rushed, with the film rather abruptly ending, leaving me wanting more in a bad way.
4. The focus on Shideh and Dorsa - Something about the amount of time spent on these two, particularly Shideh trying to find the tell, felt like it took away time better spent elsewhere, whether getting to the horror faster or focusing on other ideas.
And finally, here are a couple more positive final thoughts:
1. I love the idea raised in the film of using supernaturally-tainted weapons for war, such as the implication of the missile in the apartment. It's such a fantastic concept, though would have been a different story than the one told
2. Will there be a sequel? - The film leaves a pretty open end to their fate, with both Shideh's mother's medical book and Dorsa's doll's head remaining in the apartment. Will the jinn follow them to her step-parents house? If the story continues, the Shadow has the potential to become an AMAZING start to an ongoing horror series, ideally a trilogy. Even if I was a bit underwhelmed, I would still like to see another chapter in this story.
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