A blog for thoughts on entertainment, reviews on movies, video games, soundtracks, comics, graphic novels, and books, and maybe an occasional 'other' (original story, art, interview, news, bargain hunting deals/sales) post thrown in for good measure.
Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts
Saturday, January 6, 2018
The Conjuring 2 Movie Review
The Conjuring 2 is a fantastic blend of an inventive theme park ride mixed with a multi-genre horror movie. In other words - it's a ton of fun!
The film starts with some great tension right in the opening scene and doesn't let up for a good chunk of the movie (maybe an hour? I lost track of time). The quality does dip a bit once the first supporting monster shows up and again with some other ridiculous / overly sentimental scenes that detract from the horror and tension, but damn, what a ride; my theory is if they had cut the score during the sentimental scenes, it would have improved things. It can also be argued that those more sentimental, "relaxed" scenes are their for pacing purposes and to help the scares be stronger later, but not sure that's either necessary or true.
Regardless of any dips in quality, there's a lot to love in The Conjuring 2, not the least of which were the decent number of scenes that were either one-take or faux one-take scenes and a fantastic main villain that had a great design and thematic resonance for the lead characters. Regarding the one-takes, there was a sequence towards the end featuring one of the supporting monsters that's just bad-ass.
The story was simultaneously simple and excellent. The film starts with a tease of the Amityville Horror that presents a throughline for the rest of the film, which was carried beautifully by Vera Farmiga. Speaking of which, the rapport and chemistry between Farmiga and Patrick Wilson was a joy to watch - they're a couple I'd happily see in a series of these movies. Beyond the throughline was a fairly standard possession story, but beautifully directed by James Wan, and well performed by the kids (those previously mentioned sequences go a long way).
All in all, it's a solid film that's pulpy, as well as both modern and a throwback. I absolutely enjoyed it more than the first movie and may now be my favorite horror movie of 2016, easily besting The Witch (though that had arguably better acting), and probably edging out both Green Room and Don't Breathe (which probably had better tension).
Takeaway: Highly Recommended
Labels:
horror,
james wan,
movie review,
patrick wilson,
the conjuring 2,
vera farmiga
Tuesday, January 17, 2017
Under the Shadow movie review
Quick review:
A middle-eastern supernatural horror movie set in the 1980s and in the same vein as The Babadook? Having greatly enjoyed The Babadook, color me intrigued.
When a friend first referred me to Under the Shadow, I was instantly captivated by the premise, even going so far as watching it the same day (thanks, Netflix). There were many intriguing elements in the film, despite coming up a bit short by the end. However, on the whole, I enjoyed the film, despite leaving the experience with more questions than answers, and would RECOMMEND it to someone who's interesting in the subject matter. At the very least, there's some great insight into the Iranian culture at the time.
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Warning: More in-depth SPOILER-filled thoughts below
First things first, I greatly enjoyed The Babadook. It was different enough as a horror film to merit intrigue (e.g. the story direction changing halfway through), encapsulating a terror-ific overall experience, despite an arguably good or bad ending. Under the Shadow has a fairly similar premise of a mother trying to take care of her problematic child, but there are some key differences:
1. The father is still in play, even though he's transferred to another city
2. The story is much more linear, per se (follows one character)
3. The story tries to play with reality, to mixed results
To continue with the listing format, here are two things Under the Shadow does well:
1. Shideh (Nargas Rashidi) - She's a compelling character, with an intriguing backstory: she wants to assert her independence, but is stuck in a culture that limits her freedoms, not to mention leaving open the question of to what extent she's pursuing her own goals or those of her mother.
2. The cinematography - Shadow is a gorgeous movie. It's crisp and vibrant, yet still colored in a way that works for both the Iranian, 1980s and horror settings.
3. The depiction of war-torn Tehran - As someone who's has limited exposure to that experience and perspective, it was great to see it told on the screen, even in a fantastical way. Despite living among the horrors of war, it was still a fairly human story, at least until the supernatural elements kicked in.
Here's one thing I'm neutral on:
1. The pacing - Shadow is on the slower side, but building up nicely towards the end. I would have enjoyed a bit more supernatural teasing earlier, but the film was focusing more on character, relationships and other elements
Here are a few things I thought could have been better:
1. The playing with reality - The film could have delved much more with the idea of whether what Shideh was experiencing was real or not. As the film progresses, it clearly delves more into the supernatural, which is fine, but the earlier portions feel like a red herring and/or missed opportunity for the viewer (or to me, at least), even if it's meant for the character to disbelieve; yet her belief never really played a factor in the film.
2. Dangling character direction - As great as the setup for Shideh is, it's never really paid off. She's still stuck in the same directionless situation at the end as during the beginning, she doesn't become a better parent (per se) or pick a new career. As such...
3. It's anti-climactic - Even though there's a fairly elaborate ending sequence, it feels rushed, with the film rather abruptly ending, leaving me wanting more in a bad way.
4. The focus on Shideh and Dorsa - Something about the amount of time spent on these two, particularly Shideh trying to find the tell, felt like it took away time better spent elsewhere, whether getting to the horror faster or focusing on other ideas.
And finally, here are a couple more positive final thoughts:
1. I love the idea raised in the film of using supernaturally-tainted weapons for war, such as the implication of the missile in the apartment. It's such a fantastic concept, though would have been a different story than the one told
2. Will there be a sequel? - The film leaves a pretty open end to their fate, with both Shideh's mother's medical book and Dorsa's doll's head remaining in the apartment. Will the jinn follow them to her step-parents house? If the story continues, the Shadow has the potential to become an AMAZING start to an ongoing horror series, ideally a trilogy. Even if I was a bit underwhelmed, I would still like to see another chapter in this story.
Monday, January 2, 2017
The Wailing movie review
I'll preface that I'm not familiar with every Korean horror movie of the past 10-15 years, but I will say two things from the ones I have seen of the past 10+ years: 1) they are interesting, and 2) they are not afraid to go to dark places.
The Wailing is another great entry along those two lines. With beautiful cinematography (and some gorgeous shots), the film starts practically as a comedy before steadily progressing into darker and darker territories, raising new questions and doubts on the path towards a beautiful crescendo of an ending. It's a type of horror I don't often see in American horror films, which, in my experience, are typically either shock scares or a steady sense of dread.
The movie does a great job of blending the practical with the supernatural/religious, providing enough treats and morsels of hints that fully roped me in, anxious to see what would happen next and how everything would be resolved. Maybe one of the greatest parts of the film is how this is pretty much all unveiled through the knowledge/perspective of the lead character, which is why the film is able to take such great twists and turns. There is also some very interesting race commentary, though that's all I'll say on that.
It may not have had the ending I wanted, but it had the ending I needed, overall earning a HIGHLY RECOMMENDED status from me. One of the nicest compliments I can say about The Wailing is that, for 2.5 hours, it flew by and left me wanting more.
Labels:
Hong-jin Na,
horror,
Korean horror,
movie,
religion,
review,
supernatural,
the wailing
Tuesday, December 27, 2016
Green Room, Someone Marry Barry and Ghost Town movie reviews
Quick reviews of recently watched movies:
1. Green Room - Fucking intense, one of the best of 2016. A slow build thriller that continues to push the limits of tension up to the very end. Patrick Stewart can be a great villain. Make sure you have audio adjusted so you can hear things clearly. Definitely RECOMMENDED, somewhere between good and great. (Available on Amazon Prime)
2. Someone Marry Barry - A very funny, yet contrived movie about two obnoxious assholes who fall in love. There are actually some nice life lessons to gleam and the characters are fun, if you're willing to let go of questioning things and role with the film tropes. Casually RECOMMENDED. (Available on Netflix)
3. Ghost Town - There are some fun ideas/moments, but other movies do it better. It's difficult when two of the leads (Ricky Gervais and Greg Kinnear) are assholes, not to mention the third, Tea Leoni, falls into the female love interest trap. NOT RECOMMENDED unless you're really intent on seeing the movie. (Available on Netflix, expiring soon)
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